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His first Shell Scott novel, “Case of the Vanishing Beauty,” was published in 1950.
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After the war, he worked as a clerk at March Air Force Base, near Riverside, before quitting his job to write full time. He spent a year at Riverside Junior College, and from 1942 to 1945 served in the merchant marine. To the rock’s delight, the film’s cast turns out to be all female, and all naked.
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In “The Cockeyed Corpse” (1964), he infiltrates a western movie set by disguising himself as a rock.
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Though the writing may strike some modern readers as dated (“She’d just turned 21, but had obviously signaled for the turn a long time ago”), the books retain an ardent cult following, prized for their tongue-in-cheek irreverence and plots that carom between the self-consciously campy and the unapologetically bizarre. The Shell Scott novels have sold more than 40 million copies, according to the reference work Contemporary Authors. Among the titles in the series, most published by Fawcett, are “Find This Woman” (1951) “Always Leave ’Em Dying” (1954) “Joker in the Deck” (1964) “The Kubla Khan Caper” (Trident, 1966) and “Gat Heat” (Trident, 1967). Prather (his surname rhymed with “bather”) was best known for his three dozen novels featuring the private eye Shell Scott, a 6-foot-2 ex-marine with a broken nose, a bristling white buzz cut and an ear ravaged by a bullet he took in the Pacific theater. The cause was complications of respiratory disease, his friend Linda Pendleton said. Prather, a hugely popular mystery writer of the 1950s and ’60s whose novels were known for their swift violence, loopy humor and astonishing number of characters with no clothes on, died on Feb.
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